“And, meanwhile both his legs are still on his body,” said the prince, laughing. “I assure you, it is only an innocent joke, and you need not be angry about it.”

She seemed to be very angry, but suddenly burst out laughing, quite good-humouredly.
The prince would never so much as suspect such a thing in the delight of his first impression.
“Oh, come, come! You are exaggerating,” said Ivan Petrovitch, beaming with satisfaction, all the same. He was right, however, in this instance, for the report had reached the prince’s ears in an incorrect form.
The rest of the company followed her example.
“By reading the Apocalypse. The lady has a restless imagination, he-he! She has a liking for conversation on serious subjects, of any kind; in fact they please her so much, that it flatters her to discuss them. Now for fifteen years at least I have studied the Apocalypse, and she agrees with me in thinking that the present is the epoch represented by the third horse, the black one whose rider holds a measure in his hand. It seems to me that everything is ruled by measure in our century; all men are clamouring for their rights; ‘a measure of wheat for a penny, and three measures of barley for a penny.’ But, added to this, men desire freedom of mind and body, a pure heart, a healthy life, and all God’s good gifts. Now by pleading their rights alone, they will never attain all this, so the white horse, with his rider Death, comes next, and is followed by Hell. We talked about this matter when we met, and it impressed her very much.”
Before them stood Lizabetha Prokofievna.
“Yes, yes, so he does,” laughed the others.
“You there, Gania?” cried a voice from the study, “come in here, will you?”
This was the first time in his life that he had seen a little corner of what was generally known by the terrible name of “society.” He had long thirsted, for reasons of his own, to penetrate the mysteries of the magic circle, and, therefore, this assemblage was of the greatest possible interest to him. “Yes, so have I!” replied the general. “Nastasia Philipovna told us all about the earrings that very day. But now it is quite a different matter. You see the fellow really has a million of roubles, and he is passionately in love. The whole story smells of passion, and we all know what this class of gentry is capable of when infatuated. I am much afraid of some disagreeable scandal, I am indeed!”
“What’s the good of tormenting him like this?” cried the prince.
“Why? Do you know anything about it? Look here,” continued the general, more agitated than ever, and trembling with excitement, “maybe I have been letting the cat out of the bag too freely with you, if so, it is because you are--that sort of man, you know! Perhaps you have some special information?”
“N-no--not exactly.”
Aglaya left without saying good-bye. But the evening was not to end without a last adventure. An unexpected meeting was yet in store for Lizabetha Prokofievna.
Gania began, but did not finish. The two--father and son--stood before one another, both unspeakably agitated, especially Gania.
“Lizabetha Prokofievna is in a really fiendish temper today,” she added, as she went out, “but the most curious thing is that Aglaya has quarrelled with her whole family; not only with her father and mother, but with her sisters also. It is not a good sign.” She said all this quite casually, though it was extremely important in the eyes of the prince, and went off with her brother. Regarding the episode of “Pavlicheff’s son,” Gania had been absolutely silent, partly from a kind of false modesty, partly, perhaps, to “spare the prince’s feelings.” The latter, however, thanked him again for the trouble he had taken in the affair.
“Oh, dear!” cried the prince, confused, trying to hurry his words out, and growing more and more eager every moment: “I’ve gone and said another stupid thing. I don’t know what to say. I--I didn’t mean that, you know--I--I--he really was such a splendid man, wasn’t he?”
“Is he mad?” asked Madame Epanchin suddenly.
“Ladies are exempted if they like.”
“Nastasia Philipovna!” cried Totski, in a quaking voice.
“If you don’t understand, then--but of course, you do understand. He wished--he wished to bless you all round and to have your blessing--before he died--that’s all.”
“I know, I know! He lay there fifteen hours in the hard frost, and died with the most extraordinary fortitude--I know--what of him?”
The words were spoken in a grave tone, and even somewhat shyly.
“Dear me, there’s nothing so very curious about the prince dropping in, after all,” remarked Ferdishenko.
The anger of the Epanchin family was unappeased for three days. As usual the prince reproached himself, and had expected punishment, but he was inwardly convinced that Lizabetha Prokofievna could not be seriously angry with him, and that she probably was more angry with herself. He was painfully surprised, therefore, when three days passed with no word from her. Other things also troubled and perplexed him, and one of these grew more important in his eyes as the days went by. He had begun to blame himself for two opposite tendencies--on the one hand to extreme, almost “senseless,” confidence in his fellows, on the other to a “vile, gloomy suspiciousness.”

“How so? Did he bring the portrait for my husband?”

“Why? do you--”
“Yes, and I heard that you were here, too,” added Evgenie Pavlovitch; “and since I had long promised myself the pleasure of seeking not only your acquaintance but your friendship, I did not wish to waste time, but came straight on. I am sorry to hear that you are unwell.”
“Oh, well, when I saw her she almost punched my head, as I say; in fact so nearly that one might almost say she did punch my head. She threw the letter in my face; she seemed to reflect first, as if she would have liked to keep it, but thought better of it and threw it in my face instead. ‘If anybody can have been such a fool as to trust a man like you to deliver the letter,’ says she, ‘take it and deliver it!’ Hey! she was grandly indignant. A fierce, fiery lady that, sir!”
She marched towards the door.
“Ah! now you begin to moralize! I know that I am only a child, very well,” replied Gania impatiently. “That is proved by my having this conversation with you. It is not for money only, prince, that I am rushing into this affair,” he continued, hardly master of his words, so closely had his vanity been touched. “If I reckoned on that I should certainly be deceived, for I am still too weak in mind and character. I am obeying a passion, an impulse perhaps, because I have but one aim, one that overmasters all else. You imagine that once I am in possession of these seventy-five thousand roubles, I shall rush to buy a carriage... No, I shall go on wearing the old overcoat I have worn for three years, and I shall give up my club. I shall follow the example of men who have made their fortunes. When Ptitsin was seventeen he slept in the street, he sold pen-knives, and began with a copeck; now he has sixty thousand roubles, but to get them, what has he not done? Well, I shall be spared such a hard beginning, and shall start with a little capital. In fifteen years people will say, ‘Look, that’s Ivolgin, the king of the Jews!’ You say that I have no originality. Now mark this, prince--there is nothing so offensive to a man of our time and race than to be told that he is wanting in originality, that he is weak in character, has no particular talent, and is, in short, an ordinary person. You have not even done me the honour of looking upon me as a rogue. Do you know, I could have knocked you down for that just now! You wounded me more cruelly than Epanchin, who thinks me capable of selling him my wife! Observe, it was a perfectly gratuitous idea on his part, seeing there has never been any discussion of it between us! This has exasperated me, and I am determined to make a fortune! I will do it! Once I am rich, I shall be a genius, an extremely original man. One of the vilest and most hateful things connected with money is that it can buy even talent; and will do so as long as the world lasts. You will say that this is childish--or romantic. Well, that will be all the better for me, but the thing shall be done. I will carry it through. He laughs most, who laughs last. Why does Epanchin insult me? Simply because, socially, I am a nobody. However, enough for the present. Colia has put his nose in to tell us dinner is ready, twice. I’m dining out. I shall come and talk to you now and then; you shall be comfortable enough with us. They are sure to make you one of the family. I think you and I will either be great friends or enemies. Look here now, supposing I had kissed your hand just now, as I offered to do in all sincerity, should I have hated you for it afterwards?”
“Marie lay in a state of uncomfortable delirium the whole while; she coughed dreadfully. The old women would not let the children stay in the room; but they all collected outside the window each morning, if only for a moment, and shouted ‘_Bon jour, notre bonne Marie!_’ and Marie no sooner caught sight of, or heard them, and she became quite animated at once, and, in spite of the old women, would try to sit up and nod her head and smile at them, and thank them. The little ones used to bring her nice things and sweets to eat, but she could hardly touch anything. Thanks to them, I assure you, the girl died almost perfectly happy. She almost forgot her misery, and seemed to accept their love as a sort of symbol of pardon for her offence, though she never ceased to consider herself a dreadful sinner. They used to flutter at her window just like little birds, calling out: ‘_Nous t’aimons, Marie!_’
“Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us.